The New Yorker: Fiction cover image

Saïd Sayrafiezadeh Reads Samuel Beckett

The New Yorker: Fiction

CHAPTER

The Importance of Seeing Life Correctly

All the way through he's criticizing himself. We're just find some image of this woman whether whoever she is that reflects what he wants it to reflect and he's not getting there. She has her eyes closed and she sits in the dark and she's obscuring herself. i guess the argument could be made can you see any life accurately this woman's or his own or any characters are we all mysteries?

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