0:00 Intro
0:36 Start
1:58 What made you want to analyze Bach's 48 preludes?
4:26 Every prelude in the book has been transposed to C or Am
6:22 Is there one perfect analysis of Bach's compositions?
8:30 "The Walled Park of Closely Related Keys"
12:11 Would Bach go from C major directly to E minor?
12:42 Bach's use of closely related keys in the preludes
14:35 Looking at an example from the book 17:23 Talking about the nature of modulations in the 18th-century
22:02 Is Bach a galant musician, old school, or a transitional figure?
25:30 Do Heinichen and CPE Bach share any similarities in their systems of thoroughbass?
35:42 What is Bach's typical behavior in employing satzmodelle (schema theory)?
40:31 Is there anything controversial about your analysis of these preludes?
42:57 What would you say to someone who analyzes music with roman numerals and harmonic function theory about your book?
47:23 Which of the 48 preludes was the hardest to analyze?
58:23 What's the best way to realizing figures correctly?
1:04:40 How do you memorize all these rules of thoroughbass?
1:09:54 Reading Furno and learning that music is composed of consonances and dissonances
1:11:53 Does your interpretation of repertoire change from knowing thoroughbass?
1:16:24 What is the state of music theory in music education, how has it changed?
1:22:17 What future research would be good for thoroughbass?
