
Paul Rudd
Fly on the Wall with Dana Carvey and David Spade
00:00
It's Hard to Kill in a Restaurant Sketch in the Corner
When I did the Pepper Boy was Sandler. It wasn't really happening throughout the week, but we both just went for it. Of course, we had Farley in there too, the ultimate button. So that crushed on air enough that Sandler called me at four in the morning and just said, Carvey, Pepper Boy. That was it. The audience is above you. Where you're doing the sketch on this on stage makes it a difference. Because you can immediately kind of feel and hear the audience or you're not sure you scored. They're watching on 12 inch TV in the audience. You don't know either. Yeah. I'll wait because they can't see
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