This chapter explores the multifaceted representation of alchemy in cinema, going beyond typical Hollywood portrayals. The discussion includes analysis of 'A Field in England', a film depicting English Civil War deserters encountering an alchemist, and touches on 'Kill List' by the same director.
We discuss the various forms the Occult takes in Long Seventies cinema and why this medium informs all other media for decades when it comes to depictions of the Occult.