Born from grief, exile, intellectual ferment and the ‘year
without a summer’, Frankenstein is a creation myth with its own creation
myth. Mary Shelley’s novel is a foundational work of science fiction, horror
and trauma narrative, and continues to spark reinvention and reinterpretation.
In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley’s treatment of birth, death, monstrosity and the limits of science. They discuss Frankenstein’s philosophical and personal undercurrents, and how the creature and his creator have broken free from the book.
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Read more in the LRB:
Claire Tomalin on Mary Shelley’s letters:
https://www.lrb.co.uk/the-paper/v03/n03/claire-tomalin/scandal-s-hostages
Caroline Gonda on the original Frankenstein:
https://www.lrb.co.uk/the-paper/v32/n02/caroline-gonda/ink-blots-pin-holes
Marilyn Butler on Frankenstein as myth:
https://www.lrb.co.uk/the-paper/v10/n09/marilyn-butler/versatile-monster
Anne Barton on Mary Shelley’s life:
https://www.lrb.co.uk/the-paper/v23/n03/anne-barton/tousy-mousy
Next episode: Chloe Aridjis on the short fiction of Jorge Luis Borges.
