ART OF THE CUT WITH THE EDITORS OF "SEVERANCE" - Geoffrey Richman, ACE and Erica Marker, ACE
Art of the Cut
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How to Intercut Scenes That Aren't Scripted
When we were cutting them originally, my first pass of everything was as scripted. And then after we did it, Ben immediately was like, can we try this a different way? The more you work with it, the more opportunities you see to change things. It's crazy because his footage is so specific in the way it's framed and the way the performances are. But he gives you a lot of leeway in terms of how it can be put together.
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