The Little Man in Black, Without a Toxido, in a Novelistic Movie

It's finally time to talk about Richard Wagner. After meeting Wagner by happenstance in 1868, Nietzsche began a ten-year friendship with the older man, who was a rising star in the music world, on track to becoming one of the most famous living composers. Nietzsche was himself a fan, and described the chain of events leading to his friendship with Wagner as a kind of "fairytale". Soon, Wagner embarked upon the idea of a music festival that would serve as a cultural spearhead for the movement Wagner wished to create in Germany. The town was settled upon: Bayreuth. Construction began on a new theater house to accommodate the festival. Nietzsche aided Wagner in founding it. The first year was a financial disaster but an artistic success, reverberating throughout Europe. But the young Nietzsche left the festival troubled, reporting in a letter that it was then he decided to retreat into the mountains of Interlaken, where he composed the first third of Human, All Too Human. In this episode, we'll discuss the early friendship between Nietzsche and Wagner, what Nietzsche was looking for, and why he thought he found it in Wagner. We'll draw on quotations from the Untimely Meditations essay, Richard Wagner in Bayreuth, as well as Nietzsche's letters. Episode art is a depiction of the Bayreuth Opera House, as of 1895.