
STUART WILSON - Sound Mixer - THE BATMAN
Team Deakins
00:00
How to Control the Lighting Effects of a Film
We all had the music track that the producer had chosen so we striked it with time code and gave it to the the lighting desk operator right. They took that away and they did their programming ahead of time so then on the day either playback operator who was just firing off the playback and then they would use that for every shot. We didn't record any rings i thought they'll probably have better rain in their collection that's good because i think you were pretty busy on the set so that would have been like a whole nother thing to deal with yesYes, there are two or three tracks driving the the lighting effects which locks you in a bit to the timing but it's a pretty
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