Chris Nolan's Interpretation of Subjectivity in the Horror Film

I almost feel like it's like a dream sequence. There's no way to know if Oppenheimer specifically had that exact dream vision in his mind. I think even as we get into the AEC, uh, clearance trial, or the sort of, you know, kangaroo court with Jason Clark, at times it feels almost like he's disoriented. From what's happening, the way that the characters are shot in that tiny little room, it's not quite the same outsized, expansive, well-it's a nightmare.