The Nine and Nine Drum Machine

It's almost like I always say the people kind of starting to produce music and stuff It's better to limit yourself to one synth to begin with. Guy and Howard weren't able to, you know, make those plug-ins Do absolutely everything they needed to do so yeah Sometimes too many tools that you're disposal kind of cause you to the... You just have too much choice almost. So basically I'm slamming it through this API 2500 The main difference here being that I put OTT at the end And just that's kind of really bad practice in a way but it sounded coolso I kept it on.

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Thanks to SoundBetter for supporting this episode of Tape Notes.

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In this special live episode, John heads to Mother Advertising to chat with returning guest SG Lewis about how he wrote, recorded, and produced his new album ‘AudioLust & HigherLove’.

Starting writing after taking ten days off music making and getting bored, Sam reflects on the times spent with his collaborators in the studio and on exotic retreats, sharing the sparks of songwriting inspiration that came from their stories and lives.

In this all-round production masterclass, we’re treated to a deep dive into Sam’s process of updating sounds and processing techniques from past eras for a modern audience, as well as mixing tips including the best ways to make a kick and bass punch over iPhone speakers.

Listen to find out why the phonetics of lyrics are so important, how to create a convincing fake vocoder, and what some of the most effective ways are to gain confidence as a singer when you’re not a singer.

Tracks discussed: Lifetime, Call On Me, Something About Your Love

LINKS TO EVERYTHING TAPE NOTES

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Listen to ‘AudioLust & HigherLove’ here.