The Intelligence from The Economist cover image

Palace intrigue: the Kremlin after the mutiny

The Intelligence from The Economist

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Escapism vs. Realism in Modern Cinema

This chapter delves into the thematic dichotomy between 'Barbie' and 'Oppenheimer'. It examines how audiences gravitate towards the lightheartedness of escapism in challenging times, juxtaposed with the sobering realities portrayed in serious historical narratives.

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