130 | Our Biggest Lessons From Being On Set (Part 1)
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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How to Pitch a Comedy Show
"I'm not at all anti-band-aid, like do it because again, it could just be the, it turns out not to be a band-aid and exactly the most distinct, perfect thing you needed," she says. "Some people are really, really, really good at this, right? Like it's what they live for. Triage." She adds that some writers love specificity of these four words: W-U-T-I-Z,W-E-R-G-S; others don't.
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