The Bass Line and the Drums and the Bass Set

The song is really the bass line and the keys and the drums. So if you just get those in, that's the bass set. And then we attracted some Lindrum stuff. The electronics of this is where we started arguing. This is the real kit. That's just you.

Transcript

chevron_right

Play full episode

chevron_right

Transcript

Episode notes

Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this episode, John is back at Spitfire Audio to reunite with Matty and George of The 1975, to talk about how they wrote, recorded and produced the album ‘Being Funny in a Foreign Language’.

Digging into stems, demos and the musical moments that inspired their writing, Matty and George give us a full behind-the-scenes tour of their creative process, sharing stories of very last-minute album additions and the unreleased songs that might one day be on a 1975 record.

As well as tales from the studio working with producer Jack Antonoff, the pair reveal the tricks they used to create and record some of the most unique sounds and performances on the album, from constructing vast textures of only organic keyboard sounds to Googling the gear and instruments other people use.

Listen to find out how simply soloing individual parts can lead to breakthrough moments when writing, the one scale you need to learn to play any 1975 song, and why Matty has now fully embraced his northern accent when singing.

Tracks discussed: Part of the Band, The 1975, Happiness, When We Are Together

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘Being Funny in a Foreign Language’ here.