And then he stops and listens as though, you know, it's the cry of his friends or people, or maybe it's his own cry and he's, you know, he's not able to connect with anything going on. And then you get the calling back and the saying goodbye, right? There's a, again, there's a leaving. So this whole poem is about stressing the leaving, the isolation that without ever saying it without saying, this is a poem about being alone and it's showing it to you, not that you can't do that, by the way, but it's showing it to you. It's making you feel it through your analysis as you read it more and more and you think and you imagine and you bring conjuring your mind. What's going on with this guy, this character, you can say, I've done that before. This is so familiar to me. Everyone has felt human emotion. That's why human isolation, human loneliness, frustration, sorrow, despair, all of those work for this for the AI thing. No, it's, if you connect with the AI poem, probably what's happening is not, it's not coming from the poem itself. It's not bringing anything to the table other than, you know, kind of activating abstract words that you have thought about previous to reading the poem and then you're kind of just bringing that, you know, all those cliches to bear and that's it. It's just kind of like, which I think is what a lot of pop music, pop literature, pop store, like, that's what they all do. What acquainted with the night is doing is it's really providing a crystalline image of a man, you know, you could do paintings of this and in a thousand of the greatest artists of all time could do a thousand completely infinitely different pictures and all be saying something exactly the same as Robert Frost here. What you could do, you know, you could see this character and stories and you can feel this person in your life that this is, this is someone not dissimilar to you.