
Directing Award Winning Experimental Feature Films With Slamdance Filmmaker Matthew Wade
Show Don't Tell: Micro-Budget Filmmaking
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What Are the Hidden Gems of Film Festivals?
Amovet: I think for me, it's intention. And once you get into the meat of stacker, i think it's one of those things where it's like, even if you're not entirely sure what you're skeing with, any number of our asmovies can go in to a different direction. The way that everything is assembled and whether the music or sound effects are plain just doesn't matter too much anymore. Amovet: It was designed to ing its slow cinema, which is like its own sort of subgenre that i became really interested in around the time i started writing it.
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