We take a different route into our conversation this time around, in what turns out to be the first in a two-parter woven around John Higgs’s book, The KLF: Chaos, Magic & the Band Who Burned a Million Pounds, which Ed has been reading. It’s the kind of book that detonates in the mind, sparking a million connections.

First, though, we start out talking about humbling moments, great and small, prompted by Dougald’s experience of stumbling upon a conversation between two listeners who had very different responses to our previous episode.

The KLF conversation takes in George Orwell’s near-death experience off the coast of the Isle of Jura, where he wrote 1984. Also Alan Moore’s From Hell and his understanding of ‘ideaspace’. We learn about the dream of a yellow wave that haunted Carl Jung in the years before the First World War – and Ed shares his poem, Foxtime, written in January 2020, which came to feel like a premonition of the pandemic.

All of this brings Dougald back to something from the last episode, where he briefly quoted from John Berger’s essay, ‘The Hour of Poetry’, something he expanded on in a subsequent Substack post. According to Berger, the purpose of poetry is to connect the separated, and our friend Dan commented that this couldn’t mean ‘the poet/author/artist being imagined as a professional, solitary figure producing a commodity for a living’, it has to be the opposite of this. 

And as Dougald was sitting with this comment, an email arrived from Ben Eaton of Invisible Flock with a story about how some words from At Work in the Ruins had come to be used in an extraordinary installation in their current exhibition in Leeds, This is a Forest. (Strangely enough, Dougald has also been part of an exhibition this autumn in Västerås, Sweden called Säg att du är en skog, ‘Say You Are a Forest’.) 

Meanwhile, the follow-up post about ‘The Hour of Poetry’ triggered a fascinating conversation between Roselle Angwin and Richard Kurth, a glimpse of way that words can call us into relation and away from the traps of becoming (in the title of Stewart Lee’s stand-up show) a ‘Content Provider’ in a self-commodifying machine.

Join us next time, when Dougald will have read John Higg’s KLF book and we’ll see what we learn from Bill Drummond and Jimmy Cauty’s inability to explain why they burned a million quid.

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