The Cinematic Ontology of the Universe and Gal

I mean some of the stuff is even like stuff that I never thought about where he. describes how from a horizontal plane Germany's war plan against France seems misguided chaotic or not to have any pattern. But from a vertical plane seem from above you know because he's talking about how you know cameras are attached to these planes and stuff but seem vertically the German war plan starts to take on new meaning. So this kind of even this notion of perspective is which you kind of brought up just a minute ago, but even almost as though we're thinking from the director seat or something like this. There's something about that that's like. I can't really quite fully articulate the aspect of it but