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Scenes of Subjection at 25, and the Survival Programs of Black Anarchism with Saidiya Hartman

Millennials Are Killing Capitalism

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The Disenchantment of Scenes

I think that black intellectual and critical labor has been critical to making the project of empire seem diverse, seem bright, seem morally grounded. The narrative arc is supposed to be about inclusion in the project. We are opening the doors. You come into the project to and affirm it. Maybe it's the abandonment of citizenship as the container for for what? For the protections of the state, for the gifts of the state.

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