3min chapter

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PEARCE ROEMER - Assistant Editor

Team Deakins

CHAPTER

How to Make a DCP for a Movie

"We always keep the cut as beautiful and presentable and cinematic as possible," he says. "Some screenings are every week on some movies and other times some movies don't even want to hear what the audience has to think" Sometimes sound team isn't even on, sometimes music isn't on, and it's all just our material,. And so we want to try and make the greatest presentation possible for that audience because you can't really base an audience's review off of something that's just a bunch of junk.

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