The Master's Song

I'm a big fan of modulation effects in general so anything that's got a pitch wobble I'm into it. Choruses and vibrators are delays with vibrators are all over pretty much everything plugging my yeah or real effects wise you know okay I'll play a bit more of it I never want to hearing this song again. music thank you this sounds very human I think we should hear a bit of the master to round off this song unless there's anything you want to particularly highlight more musically from, he says.

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In this episode, John ventures over to Clapton to join James Ellis Ford and talk about how he wrote, recorded, and produced the album ‘The Hum’.

His debut solo release after almost two decades working with some of the world's biggest artists, James looks back on how his approach to music has changed over the course of the album, reflecting on the different mindsets and decisions that come with producing his own work compared to that of others.

As well as a deep dive into his vast studio setup and hybrid system of new and old creative techniques, we’re treated to thoughts on the fine line of ironing out the humanness of mistakes, and how more often than not, pieces of gear can give you back ideas that you’d never have expected.

Listen to find out which undiscovered mics are used across almost all of the records he works on, how to implement a Frippertronics-style tape setup, and what you can create when you push a bass clarinet to its limits.

Tracks discussed: I Never Wanted Anything, Squeaky Wheel, The Yips

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Listen to ‘The Hum’ here.