Manipulation and Power in 'The Manchurian Candidate'

This chapter explores the themes of psychological manipulation and political control in 'The Manchurian Candidate,' particularly through the lens of its protagonist, Ben Marko. It examines the social and political contexts surrounding both the original and the 2004 remake, highlighting how the narratives reflect contemporary fears and the impact of events like 9/11. The discussion also addresses the evolution of character dynamics and the challenges faced in promoting a politically charged film in a divided cultural landscape.