What's Your Percentage of Creative Achievement?

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In a second teer american city, say washington, d c, and you go to the opera, what percentage of the crowd there is actually enjoying it? I would know if i could put a percentage on it. There are certainly quite a few people who who go out of a sense of obligation,. They have their subscription ets, andothethe joneses down the street are going, so we might as well go. That that's always been a component of of the American orchestral audience - especially the orchestrals....

To Alex Ross, good music critics must be well-rounded and have command of neighboring cultural areas. “When you're writing about opera, you're writing about literature as well as music, you're writing about staging, theater ideas, as well as music,” says the veteran music journalist and staff writer for The New Yorker. His most recent book, Wagnerism: Art and Politics in the Shadow of Music, explores the complicated legacy of Wagner, as well as how music shapes and is shaped by its cultural context.

Alex joined Tyler to discuss the book, what gets lost in the training of modern opera singers, the effect of recording technology on orchestras, why he doesn’t have “guilty pleasures,” how we should approach Wagner today, the irony behind most uses of “Ride of the Valkyries” in cinema, his favorite Orson Welles film, his predictions for concert attendance after COVID-19, why artistic life in Europe will likely recover faster than in America, Rothko’s influence on composer Morton Feldman, his contender for the greatest pop album ever made, how his Harvard dissertation on James Joyce prepared him for a career writing about music, and more.

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Recorded August 20th, 2020 Other ways to connect

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