Introduction

Modern art has always been a battleground — and the highly influential Museum of Modern Art has been partisan since its inception. Architectural historian Patricio Del Real discusses two differing political visions of modernism and modern architecture: one rooted in the left, and associated with figures such as Communist muralist Diego Rivera, and the other on the right, represented by the architect and fascist sympathizer Philip Johnson. He weighs in on MoMa’s promotion of a view of modernism in Latin America, stripped of its radical politics and racial fusions, and radiating American power and hegemony.

Resources:

Patricio del Real, Constructing Latin America: Architecture, Politics, and Race at the Museum of Modern Art Yale University Press, 2022

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