This week’s episode is inspired by guest Barbara Ridley’s new novel, Unswerving, whose central protagonist is gay and disabled. We explore the dearth of disabled characters in fiction, and hear from Barbara how choosing to write about a character who was doubly “othered” drew critiques that she was perhaps going a bridge too far. This episode examines sensitivities to consider when writing “the other” in fiction, and also why it’s important to write characters who don’t often get an opportunity to be centered—as it creates empathy and opens our eyes to the broad range of human experience.

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