We come out of malcolm's book almost a clare. When the smoke lies down in the yard and the stove backs up, when the night outlasts the lamp, i ask for all the things they say. I have hand of a hangman, fat of an infant, a white goose whose flesh could feed me seven years. It a buck hair's kick for any sickness. Ajar of the cure, lucifer's ear. Look on one side the track, the beck a shoulder of black moor on the other side, the long drop behind my door. There moving lights, imminent arrival, fox fire, smell of fear, odd stars. That's very beautifully.
The acclaimed actor Kathryn Hunter plays all three witches in the forthcoming Hollywood adaptation of The Tragedy of Macbeth. The film is directed by Joel Coen and starring Denzel Washington and Frances McDormand as the central couple. Hunter tells Andrew Marr that she studied the witch hunts of the 17th century and was inspired by the ‘outcast women’ who survived and suffered. Her performance is rooted in something real, but also hints at something created in the mind of Macbeth.
Claire Askew’s latest collection of poems, How To Burn A Woman, is a cauldron full of spells, power and love. It’s peopled with witches, outsiders, and women who stand out. It too traces historic atrocities and celebrates the lives of those accused of witchcraft. But it also looks at contemporary relationships, of love bordering on infatuation, and the feelings of loss, bitterness and isolation at the end of an affair.
When peculiar things begin to happen in the frontier town of Springfield, Massachusetts in 1651, tensions rise and rumours spread of witches and heretics. What follows is a web of spite, paranoia and denunciation – a far cry from the English settlers’ dreams of love and liberty at the dawn of the New World. The historian Malcolm Gaskill retells this dark, real-life folktale of witch-hunting in The Ruin Of All Witches.
Producer: Katy Hickman
(Image: Kathryn Hunter as one of the witches in The Tragedy of Macbeth, courtesy of Apple TV+)