Exploring Ambiguity in 'Stalker'

This chapter dives into the complex themes of Andrei Tarkovsky's film 'Stalker,' particularly its ambiguous conclusion that intertwines happiness with the heavy emotional experiences of its characters. The discussion highlights the symbolism of the characters, with particular emphasis on the daughter and her psychic abilities, reflecting on the wider implications of the 'Zone' and human existence. Moreover, the chapter contrasts Tarkovsky's unique cinematic approach with modern filmmaking, advocating for a deeper engagement with the film's philosophical questions.