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Refuse to be Done: The art of creative persistence for long-haul projects

Deviate

CHAPTER

Writing a Memoir

How do you balance seeing the world through your protagonist, versus understanding people who are not your protagonist? A. I think some of it is giving them like, real, like space and agency on the page. You want to make a rich story, but you can't tell 20 stories in a story. And that can be a really good way to explore the self as well.

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