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I think it is a contract that you enter into right with a source, whether that source is 13 or 83. Why are they there if they don't want to talk? You mentioned all the interviews that don't make it in. Do you have a system for reducing all of that reporting down to the writing? Kind of. Sometimes I'll pull the interviews that are sort of, you know, the best, or that seem the most coherent. And then do you pull the ones that have the narrative and then build around them? Yeah.
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