Do You Know What You're Going to Say?

I'd love to get into some of the definitely not knockdown drag out fights that you'll have trying on these different options and sort of figuring out how a scene needs to feel and to be. And I guess I'm curious, like, what are what are sort of the tools that y'all are arguing over? Is it like, you know, how experiential to make the sound? Is it do we need to like be mostly wide here or go in close?" "Everything gets better when it's prosecuted," he says.