The Source of Sublime Experience

Rousseau's obviously a very pivotal figure for this theory, alough i don't talk about him and this in this chapter. So i'm kind of interested in how the ichknoledge iconography of power leaves the inanimate realm, you might say, of the oil painting or the sculpture, and comes to be embodied in the performance of the people themselves. I think if i were to rewrite that chapter now, i would draw out precisely the point that i am making more than i do.