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Conlangery #97: Interview with Britton Watkins

Conlangery Podcast

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Sinyamda

The language on the screen is equally mysterious to absolutely everyone who watches the film with no prejudice towards or bias in any way. So that was my ultimate goal with the way the system looked. A, it should look like writing to anyone who sees it and B, nobody should be able to read it. The process of coming up with how the finale, with the, how it was going to map to the phonology and whatnot was, I don't know, a couple of days or something. But I did create two fully functional fonts, one Gothic and one Roman font.

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