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Martin Scorsese's Late Period and 'Killers of the Flower Moon'
This chapter delves into Martin Scorsese's late period reexamination of his career and life, with a focus on his films 'Wolf of Wall Street', 'Irishman', and 'Killers of the Flower Moon'. It discusses the visual changes in Scorsese's films, the fusion of different archetypes, and the haunting spirituality in 'Killers of the Flower Moon'. The chapter also explores the incredible production design and world-building in the movie, as well as the subtle portrayal of FBI agents in the community.