Nicholas Britell on the Art of the Film Score
The New Yorker Radio Hour
00:00
A Baroke, a Baroque Violin Concerto
I was listening throh the sound tracks of a lot of films you've scored, and often there's a kind of spare, neo classical fiel that comes back. But when you scored the big short, adam mckay's movie about the two thousand seven financial crisis, there'are a lot of elements that are just crazy,. These sort of playful, up beat melodies, a mouse click, ne and some big, funky stings like the the cue when they go to a vagus. Ah, there's actually a huge range of styles. There's no one sound to that. And so i experimented with taking a piano and layering it, like six other pianos,
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