It’s that time again: lists, arguments, consensus (or lack of it). So.. how do we choose an ultimate “Album of the Year’?

In this episode, Emma Wilkes joins Sean Adams to talk through their favourite albums of 2025. No this is not the definitive list, not the ‘right’ list, just the stuff that has stuck, been obsessed over, demanded repeat listens, or just briefly rearranged their internal wiring.

They also talk openly about the collapse of monoculture, the impossibility of ‘keeping up’, and why criticism still matters amongst the fractured scenes, algorithmic bubbles, and overwhelming volume of new music to choose from.

This is not so much a ranked list and more as two very online music obsessives trying to map a year that refuses to be summarised.

The Drowned in Sound podcast is presented in partnership with Qobuz, the pioneering high-quality music streaming and download platform for music enthusiasts and audiophiles. Each week we curate playlists on Qobuz, featuring our favourite records, artists, and the themes we explore on the show.

Visit https://drownedinsound.org/playlists/ to discover new music in rich Hi-Res lossless quality and start your 30-day free trial of Qobuz at https://qobuz.com/dis.

Chapters

00:00 – Hayley Williams and the case for a bold AOTY

01:00 – Emma’s pick: The Callous Daoboys and joyful heaviness

04:00 – Grassroots venues, noise scenes, and Atlanta’s rise

06:30 – Introducing Emma Wilkes: rock, metal & Kerrang!

09:00 – Why heavy music needs catharsis, humour, and chaos

12:00 – Hardcore’s new era and the crossover wave

14:00 – The collapse of monoculture in 2025

16:00 – Discovery fatigue and the algorithm problem

18:30 – Model/Actriz, grief albums, and theatrical noise

22:00 – Heartworms and the art of gothic storytelling

24:00 – Ska, cowbells, and unexpected nostalgia

27:00 – Honourable mentions: Lambrini Girls, Wolf Alice, Nova Twins

30:00 – Hayley Williams’ political arc and southern identity

32:00 – Easter eggs, vocal shifts, and how fans decode albums

34:00 – Allyship, perspective, and storytelling in pop

35:00 – Production notes: Efterklang, Daniel James & sonic detail

37:00 – Why music criticism still matters

39:00 – Emma’s Top 10: heavy, emotional, ambitious

42:00 – Sean’s curveballs: Postcards, DARKSIDE & more

45:00 – So… who really made Album of the Year?

Albums mentioned:

Hayley Williams - Ego Death at a Bachelorette Party
The Callous Daoboys - I Don't Want to See You in Heaven
Backxwash - Only Dust Remains
Kathryn Joseph - We Were Made Prey
FKA twigs - Eusexua Afterglow
Ethel Cain - Perverts
Model/Actriz - Pirouette
Alan Sparhawk - With Trampled by Turtles
Heartworms - Glutton for Punishment
Die Spitz ‧ Something to Consume
Little Simz - Lotus
Lily Allen - West End Girl
The Mynabirds - It's Okay To Go Back If You Keep Moving Forward
Wolf Alice - The Clearing
Turnstile - Never Enough
Addison Rae - Addison
Sharon Van Etten - Sharon Van Etten & The Attachment Theory
Marissa Nadler - New Radiations
Nova Twins - Parasites & Butterflies
Anna von Hausswolff - Iconoclasts
Sudan Archives - The BPM
Horsegirl - Phonetics On and On
JADE - THAT'S SHOWBIZ BABY!
Dave - The Boy Who Played the Harp
Garbage - Let All That We Imagine Be the Light
Scowl - Are We All Angels
Postcards - Ripe
DARKSIDE - Nothing
Jools - Violent Delights
Witch Fever - Fevereaten
Deafheaven - Lonely People with Power
Lambrini Girls - Who Let The Dogs Out
Sprints - All That Is Over
Pinkshift - Earthkeeper
Creeper - Sanguivore II: Mistress of Death
Melody’s Echo Chamber - Unclouded
HEALTH - CONFLICT DLC

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Only Dust Remains

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