People who lie down are a fixture of contemporary literature, art, and life. Murder victims, protesters, invalids, depressives, sex workers, and more: these are the recumbent figures that populate Here Is a Figure: Grounding Literary Form (Northwestern UP, 2025) the latest book from literary critic and poet Sarah Dowling.

Out now from Northwestern University Press, this fascinating and ambitious study moves to the ground of mainstream and experimental literary and artistic work from the late twentieth century to the present. There Dowling traces a pattern of prone figures, like a chain of paper dolls strewn across the floor. These figures do a surprising amount of work from their horizontal position, challenging our notions of human subjectivity and political agency, and, at the same time, turning our attention to the ground against which they stretch.

In this rich and wide-ranging conversation with Alix Beeston, Dowling shares how researching and writing Here Is a Figure allowed her to work through unexpected and minor forms of feminist and anti-colonial action, the inextricability of literature and the other arts, and the groundedness—the historical and material conditions—of all artistic and scholarly labor. She issues a call for scholars of literature and art to shake off habits of mastery and detachment and instead to approach their work as a form of passionate advocacy for the enduring value of criticism.

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Nopaming, The Cure for White Ladies

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