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On this episode of “Death in The Garden,” we discuss Finite and Infinite Games: a Vision of Life as Play and Possibility by the late professor of religion, James P. Carse. We wanted to discuss this book because there’s a great difference between the pop-culture reception of this book and some of the deeper themes, which pertain profoundly to worldviews and how they cause us to interface with the living world in one way or another. We discuss the issues with some of the pop-culture explanations, as popularized by Simon Sinek, and delve deeper into the lesser known topics that are touched on in the book. We discuss a more nuanced understanding of finite and infinite games, players, and the worldviews associated with each. We talk about how death is conceived within each worldview, as well as how Carse is inconsistent on this topic within the book. We discuss artistry, poeisis, and what it means to be a infinite player, inspiring people to express their genius rather than “winning” the game of creativity. We go over the difference between society and culture; what waste represents; and how our relationship with nature is oppositional under the finite worldview. We talk about the Renaissance and the Enlightenment, as well as sharing a few personal stories. Ultimately, we discuss the difference between the machine and the garden within this framework (and how that applies to our project), and we really try to expand on what people typically understand as finite and infinite games to give this framework the gravity it deserves.

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