When Hamlet, in his famous soliloquy, pondered the "dread of something after death, / the undiscovered country," he noted that such thoughts "puzzles the will." (Earlier editions of the play had this as a "hope of something after death" that "puzzles the brain." What's the significance for an Elizabethan writer (and audience) of the change from hope to dread? And from brain to will? In this episode, Jacke talks to Douglas Clark (The Will in English Renaissance Drama) about the moments of willing and will-making in English Renaissance drama, and how those moments play a crucial role in the depiction of selfhood, sin, sociality, and succession. PLUS Jacke takes a look at #7 on the list of the Greatest Books of All Time.

Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠.

The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠.

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The Will in English Renaissance Drama

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