Gregk speaks to the award-winning national security journalist Spencer Ackerman about the long shadows of 9/11 and the War on Terror, how America’s response to those events contributed to its current condition, the media’s role in justifying and legitimating state violence, and much more.

Spencer Ackerman is a national security journalist whose work has appeared in The Guardian, The Daily Beast, Wired, The Nation, Zeteo and many other publications, and whose career has spanned almost the entirety of the Global War on Terror. In 2014, he shared the Pulitzer Prize for Public Service for his work at The Guardian on Edward Snowden’s disclosures surrounding the NSA’s global surveillance programme.

In 2021, he published Reign of Terror: How the 9/11 Era Destabilized America and Produced Trump. He also recently wrote a ten-issue run on IRON MAN for Marvel Comics, currently available in two trade paperbacks. His latest book is The Torture and Deliverance of Majid Khan: A Father, A Son and the War on Terror, forthcoming from Penguin.

Spencer is also the founder and proprietor of FOREVER WARS, an ongoing chronicle, investigation and interrogation of the continuities, departures and permutations of the War on Terror

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Blood Work is a Scam Goldin Production
This episode was produced by Thomas O’Mahony
Our theme song is ‘Dream Weapon’ by Genghis Tron
Our artwork is provided courtesy of KT Kobel

THIS WEEK IN VIOLENCE – DEI-Codi

For this week’s newsletter, Gregk shares some of his thoughts on the extra-judicial killing of Renee Good by an ICE officer in Minneapolis, Minnesota on January 7, 2026, and reflects on the homologies between the Trump administration’s paramilitaries and the death squads that operated in Central and South America during the latter half of the twentieth century – in many cases backed, trained and coordinated by the United States.

Image: U.S. Military Police guard detainees within Camp X-Ray at Naval Base Guantanamo Bay, Cuba, 2002. (Shane T. McCoy/U.S. Navy/Getty Images)

The Torture and Deliverance of Majid Khan

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